The article explores the potential for the development of music tourism in the Vladimir region based on the historical and cultural heritage of the 16th century, in particular the reign of Ivan IV the Terrible. The research relevance is due to the steady growing demand for immersive forms of cultural tourism, as well as the need to integrate intangible heritage into modern regional tourism infrastructure. Based on the analysis, the key location identified is the Vladimir Region, associated with the traditions of znamenny chant, early polyphony, and folk musical practices during the period of the formation of the centralized Russian state. Special attention is paid to such methodological and infrastructural challenges as ensuring historical authenticity, preserving the natural acoustics of temples, training reenactors, and balancing commercialization and preservation of the sacred context. The research demonstrates how the integration of the musical heritage of the 16th century into modern tourist products contributes to the offer diversification for tourists, the economic revival of small towns and the popularization of national history. The article is addressed to researchers in the field of cultural tourism, museum workers, local historians, festival organizers and representatives of tourism authorities.